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Study mode:
on
1
Introduction
2
Read or Not
3
Critic vs Scholar
4
Point of Information
5
Allowing Exceptions
6
The Value of the Authors Record
7
Acts of Generousness
8
Pronunciation
9
Sounding the T
10
Sound
11
Michelangelo
12
Porcelaine Prelude
13
Again
14
Dahlia
15
Garant
16
The Tiger
17
The Hard G
18
The Soft G
19
Revenge effects
20
The Hollow Men
21
Not with a bang but a whimper
22
The knocking at the gate
23
Sweeney aganist ease
Description:
Delve into an in-depth exploration of T.S. Eliot's auditory imagination with renowned literary critic Christopher Ricks in this 1-hour 28-minute lecture from Harvard University's Woodberry Poetry Room. Examine the editorial significance of Eliot's own recordings, particularly those made in 1933 and 1947, as Ricks draws upon his extensive knowledge from authoring multiple books on Eliot. Discover insights on topics ranging from the role of critics versus scholars to the value of authors' recordings, pronunciation nuances, and sound effects in Eliot's works. Analyze specific poems and lines, including "The Hollow Men" and "Sweeney Agonistes," while gaining a deeper understanding of Eliot's artistic choices and their impact on the interpretation of his poetry.

T.S. Eliot's Auditory Imagination - Christopher Ricks Lecture

Harvard University
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