Joey Korenman : What's up guys, Joey here at school of motion.com. And in this video, we are going to talk about one of my favorite topics, which is nuke. And what I'm going to try and do is show you…
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Joey Korenman : And what I have here is a pretty typical 3d composite setup where I've rendered out multiple passes from cinema 4d. I've rendered them as a multipass EXR file. So I have one set of fi…
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Joey Korenman : So all of these are feeding from the same set of image sequences here, and I'm using this effect. It's in the 3d channel group extractor to pull each of those channels out one at a ti…
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Joey Korenman : Just these bars that go across. And if I really want to look at all of my passes and try to understand what I have to work with to, to help myself figure out how to composite these th…
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Joey Korenman : But once I did, it is so much nicer to composite 3d passes together and really control the way your image looks in nuke. So the first thing you're probably noticing is I've got all of…
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Explore the differences between After Effects and Nuke for compositing in this comprehensive video tutorial. Learn how layer-based compositing in After Effects compares to node-based compositing in Nuke, with detailed explanations and demonstrations of both workflows. Discover the strengths and use cases for each software, gaining insights into when to use After Effects or Nuke for various compositing tasks. Follow along as the instructor breaks down a 3D composite setup, explaining multipass EXR files, linear workspaces, and 32-bit color depth. Gain a deeper understanding of how to effectively work with render passes and create more efficient compositing workflows in both applications.